Note Reference Chart
| Note | Frequency (Hz) | MIDI |
|---|---|---|
| E0 | 20.6 | 16 |
| F0 | 21.83 | 17 |
| F#0 | 23.12 | 18 |
| G0 | 24.5 | 19 |
| G#0 | 25.96 | 20 |
| A0 | 27.5 | 21 |
| A#0 | 29.14 | 22 |
| B0 | 30.87 | 23 |
| C1 | 32.7 | 24 |
| C#1 | 34.65 | 25 |
| D1 | 36.71 | 26 |
| D#1 | 38.89 | 27 |
| E1 | 41.2 | 28 |
| F1 | 43.65 | 29 |
| F#1 | 46.25 | 30 |
| G1 | 49 | 31 |
| G#1 | 51.91 | 32 |
| A1 | 55 | 33 |
| A#1 | 58.27 | 34 |
| B1 | 61.74 | 35 |
| C2 | 65.41 | 36 |
| C#2 | 69.3 | 37 |
| D2 | 73.42 | 38 |
| D#2 | 77.78 | 39 |
| E2 | 82.41 | 40 |
| F2 | 87.31 | 41 |
| F#2 | 92.5 | 42 |
| G2 | 98 | 43 |
| G#2 | 103.83 | 44 |
| A2 | 110 | 45 |
| A#2 | 116.54 | 46 |
| B2 | 123.47 | 47 |
| C3 | 130.81 | 48 |
| C#3 | 138.59 | 49 |
| D3 | 146.83 | 50 |
| D#3 | 155.56 | 51 |
| E3 | 164.81 | 52 |
| F3 | 174.61 | 53 |
| F#3 | 185 | 54 |
| G3 | 196 | 55 |
| G#3 | 207.65 | 56 |
| A3 | 220 | 57 |
| A#3 | 233.08 | 58 |
| B3 | 246.94 | 59 |
| C4 | 261.63 | 60 |
| C#4 | 277.18 | 61 |
| D4 | 293.66 | 62 |
| D#4 | 311.13 | 63 |
| E4 | 329.63 | 64 |
| F4 | 349.23 | 65 |
| F#4 | 369.99 | 66 |
| G4 | 392 | 67 |
| G#4 | 415.3 | 68 |
| A4 | 440 | 69 |
| A#4 | 466.16 | 70 |
| B4 | 493.88 | 71 |
| C5 | 523.25 | 72 |
| C#5 | 554.37 | 73 |
| D5 | 587.33 | 74 |
| D#5 | 622.25 | 75 |
| E5 | 659.26 | 76 |
| F5 | 698.46 | 77 |
| F#5 | 739.99 | 78 |
| G5 | 783.99 | 79 |
| G#5 | 830.61 | 80 |
| A5 | 880 | 81 |
| A#5 | 932.33 | 82 |
| B5 | 987.77 | 83 |
| C6 | 1046.5 | 84 |
| C#6 | 1108.73 | 85 |
| D6 | 1174.66 | 86 |
| D#6 | 1244.51 | 87 |
| E6 | 1318.51 | 88 |
| F6 | 1396.91 | 89 |
| F#6 | 1479.98 | 90 |
| G6 | 1567.98 | 91 |
| G#6 | 1661.22 | 92 |
| A6 | 1760 | 93 |
| A#6 | 1864.66 | 94 |
| B6 | 1975.53 | 95 |
| C7 | 2093 | 96 |
| C#7 | 2217.46 | 97 |
| D7 | 2349.32 | 98 |
| D#7 | 2489.02 | 99 |
| E7 | 2637.02 | 100 |
| F7 | 2793.83 | 101 |
| F#7 | 2959.96 | 102 |
| G7 | 3135.96 | 103 |
| G#7 | 3322.44 | 104 |
| A7 | 3520 | 105 |
| A#7 | 3729.31 | 106 |
| B7 | 3951.07 | 107 |
| C8 | 4186.01 | 108 |
| C#8 | 4434.92 | 109 |
| D8 | 4698.64 | 110 |
| D#8 | 4978.03 | 111 |
| E8 | 5274.04 | 112 |
| F8 | 5587.65 | 113 |
| F#8 | 5919.91 | 114 |
| G8 | 6271.93 | 115 |
| G#8 | 6644.88 | 116 |
| A8 | 7040 | 117 |
| A#8 | 7458.62 | 118 |
| B8 | 7902.13 | 119 |
Frequency to Note Converter: Convert Hz to Musical Notes Instantly
A frequency to note converter translates sound vibrations—measured in Hertz (Hz)—into the exact musical note they represent. Every pitch has a specific frequency. A4 (the note above middle C) vibrates at 440 times per second. When you measure a sound at, say, 523 Hz, a converter instantly identifies it as C5 and shows how close it is to perfect tuning.
Musicians, producers, and audio engineers use this tool constantly. Instead of guessing “that sounds like an A,” you know precisely which note and how accurately it was performed. For vocalists learning pitch control, for guitarists checking tuning, for producers analyzing recordings—this tool eliminates guesswork.
How Conversion Works: Equal Temperament Explained
Modern Western music uses a system called 12-tone equal temperament (12-TET). Your octave on a keyboard—those black and white keys—is divided into exactly 12 equal semitones. Each semitone has the same frequency ratio: 2^(1/12), or approximately 1.0595.
This means moving up one semitone multiplies the frequency by 1.0595. If A4 is 440 Hz, then A#4 is 466.16 Hz. The next semitone (B4) is 493.88 Hz. This predictable, logarithmic relationship lets the converter match any frequency to its nearest note.
The reference pitch is A4 = 440 Hz. The converter uses this as an anchor, calculating how many semitones your frequency sits from it. A formula (semitones = 12 × log₂(frequency ÷ 440)) determines this distance, which then maps to a specific note name and octave.
Why frequencies have decimals. You’ll notice C4 (middle C) registers as 261.63 Hz, not 262. This decimal isn’t a rounding error—it’s mathematically correct. Equal temperament relies on frequency ratios, not whole numbers. Truncating to whole numbers throws the tuning system out of balance.
Understanding Your Results
When you enter a frequency, the converter returns four key pieces of information:
Note Name & Octave shows what you’re playing. C4 is middle C. A4 is the tuning reference. C5 is one octave higher than C4 and vibrates twice as fast (523.25 Hz vs. 261.63 Hz).
Your Input Frequency is what you measured or entered, rounded to two decimal places for readability.
Exact Frequency is the mathematically perfect frequency for that note. If your input was 439.5 Hz (slightly flat from A4 at 440), the exact frequency still shows 440 Hz—because that’s the true A4.
MIDI Number is the note’s digital designation. MIDI (Musical Instrument Digital Interface) numbers range from 0 to 127. A4 = MIDI 69. Every synthesizer, DAW, and digital instrument understands MIDI numbers. Producers use them to program sounds with precision.
Cents Deviation measures how far your frequency sits from perfect tuning. One semitone equals 100 cents. Zero cents means you’re perfectly in tune. Positive cents = sharp (higher pitch), negative cents = flat (lower pitch).
| Cents Deviation | What It Means | Audible? |
|---|---|---|
| 0 | Perfect pitch | N/A |
| ±5 | Professional tuning | Barely noticeable |
| ±10 | Good tuning | Most ears miss it |
| ±25 | Noticeably off | Clear to trained ear |
| ±50 | Halfway to next note | Obvious to everyone |
Most humans detect pitch changes around 5–10 cents. Professional tuning targets ±5 cents or better.
When You Need This Tool
Tuning instruments. Pluck a string or play a note. Check its frequency. Adjust tension until the converter shows 0 cents deviation. Works for guitars, pianos, ukuleles, violins, and more.
Vocal training. Singers use this to track pitch accuracy. Sustained notes showing ±0–5 cents mean solid control. Wider swings reveal vibrato or pitch instability.
Music production. Producers identify unwanted frequencies in recordings. A persistent hum at 50 or 60 Hz? That’s near G1 (49 Hz) or B1 (62 Hz) power-line noise. Knowing the exact note helps target EQ cuts precisely.
MIDI programming. Electronic producers need MIDI numbers to trigger sounds. Converting frequency to note to MIDI number ensures exact digital control.
Music education. Understanding the frequency-to-note relationship visually reinforces music theory. Students see why frequency doubles per octave and how semitones space logarithmically.
Alternative Tuning Systems
Standard concert pitch (A4 = 440 Hz) is the global default. But alternatives exist:
432 Hz Tuning. Some modern musicians and producers use A4 = 432 Hz. The claim is subjective preference for sound quality. No scientific evidence proves 432 Hz is “better.” Your converter handles it—just select the 432 Hz reference and results recalculate.
Baroque Pitch (415 Hz). Historical orchestras tuned lower. Period-authentic performances of Bach or Vivaldi may use A4 = 415 Hz. Musicians playing historic instruments often prefer this reference.
432 vs. 440: What’s the Difference?
432 Hz is roughly A4 minus 32 cents. That’s a noticeable difference if you’re trained. Most listeners hear it as subtly flatter, but whether that sounds “better” is personal. Playback devices, tuners, and orchestras expect 440 Hz unless otherwise specified.
Cents Deviation: Sharp, Flat, and In-Tune
0 cents = perfectly matched to the target note.
+20 cents = 20 cents sharper than the note. You’re above the target pitch.
−15 cents = 15 cents flatter than the note. You’re below the target pitch.
Why measure in cents instead of Hz? Because cents are logarithmic. A 5 Hz difference at 440 Hz sounds smaller than a 5 Hz difference at 100 Hz. Cents account for this. Every cent difference represents the same perceptual pitch change, regardless of octave.
Professional tuning tolerates ±5 cents. Good amateur tuning allows ±10–15 cents. Beyond ±25 cents, almost everyone hears the note as out of tune.
MIDI Numbers: Connecting Frequency to Digital Instruments
MIDI standardized how digital instruments communicate. Instead of sending “play 440 Hz,” DAWs send “play MIDI note 69” (which is A4). Every synthesizer, sampler, and plugin interprets MIDI 69 identically.
The mapping is straightforward: each semitone increments the MIDI number by 1. Middle C (C4) = MIDI 60. A4 = MIDI 69. The range 0–127 covers over 10 octaves, exceeding human hearing limits.
When you convert frequency to note, the converter also shows the MIDI number. Producers copy this into their DAW for exact pitch-accurate programming.
Frequently Asked Questions
Why do note frequencies have decimals like 261.63?
Equal temperament uses frequency ratios (2^(1/12)), not whole numbers. Decimals ensure tuning accuracy. Rounding to whole numbers creates audible pitch errors.
How does frequency change across octaves?
Each octave doubles the frequency. A3 = 220 Hz, A4 = 440 Hz, A5 = 880 Hz. Your ear hears each as “the same note” but higher or lower.
What’s the difference between sharp and flat?
Sharp = higher frequency (+cents deviation). Flat = lower frequency (−cents deviation). A4 at 439 Hz is flat (about −4 cents).
Can I use this to tune my guitar?
Yes. Measure a string’s frequency, compare to the target note. Adjust tension until the converter shows 0 cents.
Why does 432 Hz sound different from 440 Hz?
It’s 32 cents lower—about one-third of a semitone. Trained ears notice it. The claim that 432 Hz is “better” is subjective and unproven.
What’s MIDI and why does it matter?
MIDI is a digital protocol where each note gets a number (0–127). DAWs use MIDI to trigger sounds. Knowing the MIDI number enables precise instrument control.
Is this accurate for live microphone recordings?
Yes, but expect small fluctuations (±5–10 cents) from vibrato and breath. These variations are normal and musical.
What frequency range can humans hear?
Roughly 20 Hz (lowest) to 20,000 Hz (highest). This converter covers the entire human audible spectrum.
How accurate is my tuner if it shows ±10 cents?
Excellent. Professional tuning targets ±5 cents or better. ±10 cents is still well in tune; most ears miss it.
Can modern music use alternative tunings like 432 Hz?
Technically yes, but uncommon. 440 Hz is universal for a reason—consistency. Playback devices, streaming platforms, and orchestras all expect 440 Hz unless explicitly notified.